The Duchess True-story period drama that actually managed to change my level of appreciation of Keira Knightley from white-hot hatred to tolerance bordering on admiration.
Eagle Eye Brain-turned-off action flick where poor bastard Shia Labeouf has to follow instructions from mysterious female voice on phone or everyone dies. Great bullshit computer interfaces throughout. Very stupid, but does the job it sets out to do. I still white-hot hate Shia Labeouf.
Body of Lies A surprisingly weak and unsatisfying Ridley Scott Iraq-war thing starring Leo DiCaprio and Russell Crowe. Starts off good enough but gratuitous romance sub-plot totally fucks up the pacing.
Nights in Rodanthe End-of-flight bottom-of-the-barrel scrape where Diane Lane and Richard Gere play damaged middle-agers who find a second chance at life through their sickly-sweet romance. An assault on intelligence, and even more on consciousness.

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my BAFTA picks reflected only the small variety of games I played last year. True, but the nuance is I don’t play games I don’t like; I don’t feel bound to play unenjoyable games out of professional duty. I only feel duty-bound to try to play them. As entertainment, they shouldn’t be work to consume.

This reminds me of something a friend once quipped to me: men will watch any sci-fi, good or bad, whilst women will only watch good sci-fi. Translation: depending on how you feel about a form of entertainment, you’ll have different thresholds of tolerance for them.

In film school, I prided myself on seeing every film that came out. This eventually broke down when I found myself obliged to consume upsetting or violent movies I really didn’t want to see. By then my career had veered away from film, professional duty no longer applied so I gave myself permission to avoid them. As a result, some notable greats are still in the limbo of the unseen, for various reasons: The Pianist, There Will Be Blood, American Gangster, 28 Days Later, Boys Don’t Cry.

I’m way more willing to see movies of questionable quality because I like them better than games, but also because they are much less of an investment. I haven’t lost as much time and money if I see an entire bad movie as I have if I play a bad game halfway through.

Still, even with respect to movies, my limbo of “ought to see movies” is uncomfortably crowded, and since I’m now trying to reorient my career towards film, those lost souls are coming back to haunt me. I’ll probably bite the bullet and consume all those depressing and unsettling greats in a fell swoop, perhaps interspersed with all the insubstantial Princess Diaries I’ve also (but rightly) skipped.

I’m curious: what do you do when you need to consume something you dislike because it’s required for your professional culture?

The only reason why I finally got off my butt and did my address change with the government yesterday… is that I couldn’t sign up at the local videostore without updated ID.

Because it doesn’t try to entertain first and inform second, it does the reverse. Yet the font geeks that are interviewed are fabulously entertaining. Teutons are hilarious.

Because at the end of it I had no fixed idea what my position on the topic was. That’s actually huge.

Because I have never before considered the societal impact of a font, and now I’m actually wrangling with the issue of whether Helvetica deserves its position as king of fonts. I had never considered this topic, and now it keeps me up all night, I see nothing but dancing letters in that middleground between sleep and waking.

And because, deservingly or no, Helvetica really is the king of fonts, it’s effectively changed the way I look at everything.

Iron Man the movie hit the theaters yesterday, and the game hit stores. The PS2, PSP, PC and Wii are the ones I got to produce. The next gen SKUs were done by Sega’s own studio.

Last night we went to the movie, then home with

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the newly purchased game and I watched Jonathan play. The evening was a very cool ride, a happy culmination to 18 months of hard work.

When I produced Happy Feet, access to assets was complicated by the fact that the movie was being produced in Australia. Nevertheless, the whole team got to see the movie at various stages of its production. I had therefore seen it three times by the time it was released.

With Iron Man, the film crew was extremely open with assets, and we visited the set, witnessed some scenes being shot, met director, cast and crew, saw flight animation tests and the Iron Monger suit in the “flesh”, visited Stark mansion and saw Iron Man suit concept art, but I never read the script or actually saw the movie. Consequently, having been allowed access to some information, without seeing the finished product, just made the whole thing extremely tantalizing.

And last night was the biggest payoff a superhero fan could wish for. The movie is awesome, definitely up there with the first Spider-Man for superhero movies.

Go. And make sure you stay until the end of the credits

Nobody hated sharks more than I did growing up. I couldn’t even look at a picture of them without being nauseous, and I’ve never swam (swum?) in the ocean because of it. But when I saw this trailer I was intrigued.

Sharkwater just came out on DVD and I highly recommend it. Watching it this morning did make me nauseous, but only at the human indifference portrayed and the weight of the consequences. When you see what’s happening to the oceans and to the world’s top predator, you will not stand for it.

A couple of weeks ago, I watched Donnie Darko again for fun. It led me to read about time-travel paradoxes, which led me to theories of parallel universes which led me to string theory, which is apparently gaining acceptance by physicists and posits the existence of parallel universes (real ones!). In order to learn more without adding another book to my reading list, I ordered the Nova special series The Elegant Universe on DVD.

Although the documentary is sometimes really dumbed down, the animations are evocative and beautiful, the production value is excellent and the subject matter, nothing less than fascinating. Explaining something as esoteric as string theory, which says that there are 11 dimensions and that everything is made up of vibrating strings of energy, to the general public, is no small feat. Although I felt a little condescended to at first, by the end of the three 1-hour episodes I had brain sprain, and was glad the documentary was holding my hand as it was.

Wrap your head around these concepts for size: gravity may not stick well to our universe, and possibly seeps off into parallel ones. Our universe may exist on a membrane parallel to many others, and may have been empty until a collision with a neighbor transferred matter to our universe at the collision point. That’s why at the Big Bang, lots of stuff materialized out of nothing.

A fun way to spend a couple of hours getting smarter.

-What’s the matter?

-I can’t sleep.

-Why, what’s wrong?

-I’m worried about global warming.

Of course I’ve always known it was a problem, and in fact, the trailer makes it sound like the movie will only restate what we already know. But it doesn’t. I didn’t know how bad - and how immediate - global warming was until I’d seen An Inconvenient Truth. The Scotsmontonian and I rented it this weekend, and we had to pause it to let our heads stop spinning. That night I couldn’t stop thinking about the fact that my condo might be under water within my lifetime. My condo, Old Montreal, the Netherlands, San Francisco - basically my home and those of about 100 million other people, too. Watching it felt like waking up.

Most ecological warning documentaries are so incredibly dire that you are discouraged from believing that true global change can come from local action. Probably the most amazing thing about An Inconvenient Truth is that while is probably the most alarming ecological warning I’ve ever seen, it managed to convince me, for the first time in years, that action isn’t futile.

There’s something about watching it in during a green Christmas season in Montreal that just brings the whole thing into sharp focus, too.

The good
- Crash! Up until the last moment I was torn between it and Brokeback. And you know, I still am. Simultaneously happy and sad about the outcome.
- March of the Penguins! That was my big moment of undiluted pleasure and happy SMSing for the night.
- George Clooney’s speech.
- Ang Lee! I’m glad that he got best director and Crash got best picture. That honors both great films of the year.
- The fact that Woody Allen didn’t win for plagiarizing himself and re-making

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a movie I saw in the eighties. Dude, it’s still the same movie if it’s set and London and doesn’t star aging Jews.
- Best score for Brokeback Mountain. Every once in a while there’s a score that really brings you back to the movie. Truly deserved.
- Keira Knightley was an abomination as Elizabeth Bennet. I’m glad Oscar went home with someone else, even if it was Reese.

The bad
- The pimp song. What the hell?
- Still no Oscar for Joaquin, who is fantastic. On the other hand, I have to admit Walk the Line wasn’t his best role ever, and I’m quite confident he’ll get his one day.
- I just can’t bring myself to like Reese.
- Not enough awards for Brokeback. I would have liked to see one actor get an oscar, and my choice was Michelle Williams.
- Philip Seymour Hoffman’s acceptance speech. Yeah, he’s good, but I would have liked him to… oh, I don’t know… emote.
- Jennifer tripping. Doh!
- What’s the deal with making Jack Nicholson the center of it all? Yeah, we loved you in The Shining. Can we move the f*ck on?

The meh
- Jon Stewart. Love him, but I thought he was a little too subdued. I don’t know if the biggest show on Earth is the right venue for his ironic, understated humor and funny little faces.

Overall, an Oscar night that, while it was a little more engaging than the past years, still didn’t manage to make it all the way to “exciting”. Maybe it’s because I rushed out to see all the Best Picture nominees over the past two weeks out of Oscar-night obligation rather than inclination. Maybe something more controversial than boys kissing boys has to happen. Maybe I’m getting old, but Oscar night just isn’t as spicy as it used to be.

Funny how we see what we want to see.

My hopeless romantic of a friend Extravaganza Me saw Brokeback Mountain and loved it. It made her cry. She said “When true love is… separated by circumstances”, it breaks her heart.

I saw Brokeback Mountain and loved it. I took it as a critique of traditional ideas about nuclear coupledom (which as you know I consider so outdated). I was uplifted by the thought that love is fulfilling in whatever form it comes, even when it doesn’t follow the conventional, ordained path.

What it was actually about doesn’t really matter, does it?